The original lenses are MC, EII are revised versions, and PE are the final version with 1/2 aperture stops. 300mm f4.5 Auto-Zenzanon (uses large bayonet mount).80mm f2.8 MC Zenzanon by Carl Zeiss Jena DDR.It is necessary to remove the Bronica focus helicoid to mount. The Tele-Nikkor lens system requires a seprate focus module. 105mm f3.5 Auto-Nikkor (with leaf shutter and uses large bayonet mount).A variety of different Zenzanon branded focal length lenses were made as the supply of Nikkor's decreased.Ĭameras like the ETR, SQ and GS use leaf shutter lenses. Alternatives were needed and a 80mm f2.8 MC Zenzanon by Carl Zeiss Jena DDR was produced.
#Bronica sq review series#
This situation led Bronica to have a very low supply of the standard 75mm lens when they were to announce the newer Bronica EC series of cameras. Nikon decided not to manufacture lenses for Bronica, so the company decided to produce their own optics under the brand name Zenzanon. This is also great for making, adapting and hacking your own lens. This also made it easy for many companies to manufacture automatic or preset diaphragm modules with built-in focusing to attach to an existing lens head design not originally made for the Bronica. This made it easier for manufacturers to easily produce many different types of lens heads that share the same focusing module. The lens mount can also attach in three different ways with a large bayonet, small bayonet and a 57mm screw mount with a 1mm pitch. Unlike more complicated leaf shutter lens designs, these Bronica lenses do not require built-in shutters or focusing. The early cameras of Bronica were focal plane SLR cameras such as the Bronica S2, C2, EC, etc. ZENZA BRONICA SQ 6圆 220 Film Back for SQ A Ai Medium Format Camera. Zenza Bronica SQ-i 6圆 220 Film Back Holder + Dark Slide for SQ SQ-A SQ-Ai SQ-Am. Their single-lens reflex (SLR) system-cameras competed with Pentax, Hasselblad, Mamiya and others in the medium-format camera market. Taped lens onto extensions and focusing helicalīronica was originally unable to manufacture it's own optics and hired Nikon. Zenza Bronica SQ-i 6圆 220 Film Back Holder + Dark Slide for SQ SQ-A SQ-Ai SQ-Am. Bronica also Zenza Bronica (in Japanese:) was a Japanese manufacturer of classic medium-format roll film cameras and photographic equipment based in Tokyo, Japan. Photos were taken with Bronica SQ-A, 80mm lens, Tmax 400 film, and photographs were developed in Ilford DD-X, post processed in Adobe Photoshop and Lightroom.Bronica EC-TL showing separate focus unit and lens on right. I hope you like it, and if you do, please leave a comment. I discounted the idea of getting the Komura, mainly because it still wasn’t as wide as the other two which. The 'system' camera has always been a Bronica philosophy, ever since the founding of the company.
#Bronica sq review professional#
None of these are particularly common, but they all pop up on auction sites from time to time. The resulting SQ-Ai is a medium format single lens reflex camera incorporating original Bronica 'system' technology which answers the high image technique capabilities expected by the professional photographer.
#Bronica sq review manuals#
The last image is a multi-exposure, to perhaps spice up the often ordinary photo of an old farmhouse. From online resources and Bronica manuals I was aware of three wider options: a Komura 45mm 1:4.5, a Nikkor 40mm 1:4 and a Zenzanon 40mm 1:4. This seemed to have provided a dramatic effect. Its a compact and reasonably light camera, especially with the standard 80mm lens.
The SQ-A has become my favorite because, in addition to shooting 6圆 negatives, it can also be fitted with 645 and 35mm backs. In similar fashion, the nearby barn had in it an old farm implement, and I tried to create a similar opposing image there as well - one looking into the object from near, and one from the far, with the light source presented straight in front of the lens. Im a big fan of Bronica cameras, and at one time owned all three of their models (ETRSi, GS-1 and SQ-A). The first two play around with the idea of looking into a room through a window, but they almost seem opposite as camera is close to the pane in one shot, and far in another. The 5 images I selected to show here seem work together for me. I have been here many times before, but I have only once before visited the old historic house and barn, and I thought that this would be a great place for a short photoshoot.
I headed out for a drive in my northern Illinois neighborhood, and after a couple of false starts I ended up at a nearby park. I wanted to try and create some moody and emotional images on this drab and cold Sunday in late December.
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